Design Project by Sara Polmar

Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram.

Design Project by Sara Polmar

Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram.

Design Project by Sara Polmar

Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram.

Design Project by Sara Polmar

Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram. Investigationes demonstraverunt lectores legere me lius quod ii legunt saepius. Claritas est etiam processus dynamicus, qui sequitur mutationem consuetudium lectorum. Mirum est notare quam littera gothica, quam nunc putamus parum claram.

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Client: Neither a sofa nor an armchair

Art direction: Elie Pullum

Website: sarapolmar.no

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Between by Sara Polmar

A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable nature of its contents.

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A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal.

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A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.

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A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.

sarapolmar.no

Between by Sara Polmar

A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable nature of its contents.

Website: andreasengesvik.no

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Design Project by Sara Polmar

A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable.

sarapolmar.no

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Design Project by Sara Polmar

Neither a sofa nor an armchair, Between is a prototype seat that invites different ways of sitting, either alone or with others. The seat, back and armrest are upholstered in Norwegian wool (the textiles can be altered to make new colour combinations) and are designed in different shapes to create structural contrasts. Between is designed for both the contract and home market, and can easily be developed into a series of seating for one, two or more people.

sarapolmar.no

Client: Neither a sofa nor an armchair

Art direction: Elie Pullum

Website: sarapolmar.no

$ Purchase
Send Message
[contact-form-7 404 "Nenájdené"]
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Design Project by Sara Polmar

Neither a sofa nor an armchair, Between is a prototype seat that invites different ways of sitting, either alone or with others. The seat, back and armrest are upholstered in Norwegian wool (the textiles can be altered to make new colour combinations) and are designed in different shapes to create structural contrasts. Between is designed for both the contract and home market, and can easily be developed into a series of seating for one, two or more people.

sarapolmar.no

Client: Neither a sofa nor an armchair

Art direction: Elie Pullum

Website: sarapolmar.no

$ Purchase
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Website

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Website: sarapolmar.no

Send Message
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